{"id":776,"date":"2026-09-28T22:07:53","date_gmt":"2026-09-28T20:07:53","guid":{"rendered":"https:\/\/worldaicinema.com\/?p=776"},"modified":"2026-09-28T22:07:53","modified_gmt":"2026-09-28T20:07:53","slug":"nominees-september-2026","status":"publish","type":"post","link":"https:\/\/worldaicinema.com\/en\/nominees-september-2026\/","title":{"rendered":"Nominees September 2026"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-stretch fusion-flex-content-wrap\" style=\"max-width:calc( 1200px + 0px );margin-left: calc(-0px \/ 2 );margin-right: calc(-0px \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_2 1_2 fusion-flex-column fusion-flex-align-self-center\" style=\"--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:0px;--awb-margin-bottom-large:20px;--awb-spacing-left-large:0px;--awb-width-medium:50%;--awb-spacing-right-medium:0px;--awb-spacing-left-medium:0px;--awb-width-small:100%;--awb-spacing-right-small:0px;--awb-spacing-left-small:0px;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;--awb-font-size:34px;\"><h1 class=\"fusion-title-heading title-heading-center\" style=\"margin:0;text-transform:uppercase;font-size:1em;\">Nominees September 2026<\/h1><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_2 1_2 fusion-flex-column fusion-flex-align-self-center\" style=\"--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:0px;--awb-margin-bottom-large:20px;--awb-spacing-left-large:0px;--awb-width-medium:50%;--awb-spacing-right-medium:0px;--awb-spacing-left-medium:0px;--awb-width-small:100%;--awb-spacing-right-small:0px;--awb-spacing-left-small:0px;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element\" style=\"text-align:center;--awb-max-width:450px;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, online edition\" title=\"WAICF Nominees September 2026 \u2014 cover\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p00_couverture.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p00_couverture.jpg\" class=\"lazyload img-responsive wp-image-778\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p00_couverture-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p00_couverture-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p00_couverture-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p00_couverture-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p00_couverture.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 800px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1200px + 0px );margin-left: calc(-0px \/ 2 );margin-right: calc(-0px \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:0px;--awb-margin-bottom-large:20px;--awb-spacing-left-large:0px;--awb-width-medium:100%;--awb-spacing-right-medium:0px;--awb-spacing-left-medium:0px;--awb-width-small:100%;--awb-spacing-right-small:0px;--awb-spacing-left-small:0px;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"awb-gallery-wrapper awb-gallery-wrapper-1 button-span-no\"><div style=\"margin:-10px;--awb-bordersize:0px;\" class=\"fusion-gallery fusion-gallery-container fusion-grid-2 fusion-columns-total-28 fusion-gallery-layout-grid fusion-gallery-1\"><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p01.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 1\" title=\"WAICF Nominees September 2026 \u2014 page 1\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p01.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p01.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 1 of 28: EXCEPTIONS - Atlas i3 Part II by Gregory Toth (Hungary); Good Boy by Dair Karakeev (Kazakhstan); Meridian Drift by Claire Halloway (United States); REASON by Kangho Choi (South Korea)\" title=\"WAICF Nominees September 2026 \u2014 page 1\" aria-label=\"WAICF Nominees September 2026 \u2014 page 1\" class=\"lazyload img-responsive wp-image-779\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p01-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p01-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p01-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p01-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p01.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p02.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 2\" title=\"WAICF Nominees September 2026 \u2014 page 2\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p02.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p02.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 2 of 28: Above the Waterline by yifei LI, ZHENG BAO (China); AZUL COBALTO by Tom\u00e1s Pe\u00f1a (Spain); Mai by Daniel Bjarnason (Iceland); Ritournelle by R\u00e9my PIANTONI (France)\" title=\"WAICF Nominees September 2026 \u2014 page 2\" aria-label=\"WAICF Nominees September 2026 \u2014 page 2\" class=\"lazyload img-responsive wp-image-780\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p02-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p02-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p02-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p02-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p02.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p03.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 3\" title=\"WAICF Nominees September 2026 \u2014 page 3\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p03.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p03.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 3 of 28: Altitude 3021 by L\u00e9a Baumgartner (Switzerland); Salt Country by Mia Caldwell (Australia); The Quiet Algorithm by Marcus Bell (United States)\" title=\"WAICF Nominees September 2026 \u2014 page 3\" aria-label=\"WAICF Nominees September 2026 \u2014 page 3\" class=\"lazyload img-responsive wp-image-781\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p03-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p03-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p03-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p03-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p03.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p04.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 4\" title=\"WAICF Nominees September 2026 \u2014 page 4\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p04.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p04.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 4 of 28: Surprise Box by Suchan Jeon (South Korea); The Little Alien Who Taught Me to Win by Andre Surya Wiyono (Indonesia); The Little Moments by Pradeep Gunda (United States); To Regret Is Human by Seongwon Jo (South Korea)\" title=\"WAICF Nominees September 2026 \u2014 page 4\" aria-label=\"WAICF Nominees September 2026 \u2014 page 4\" class=\"lazyload img-responsive wp-image-782\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p04-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p04-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p04-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p04-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p04.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p05.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 5\" title=\"WAICF Nominees September 2026 \u2014 page 5\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p05.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p05.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 5 of 28: Afterimage Protocol by Lena Ortiz (United States); Apr\u00e8s la lumi\u00e8re by \u00c9lo\u00efse Martin (France); Blue Noise by Lee Sora (South Korea); Second Skin by Lucas Chen (Canada)\" title=\"WAICF Nominees September 2026 \u2014 page 5\" aria-label=\"WAICF Nominees September 2026 \u2014 page 5\" class=\"lazyload img-responsive wp-image-783\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p05-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p05-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p05-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p05-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p05.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p06.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 6\" title=\"WAICF Nominees September 2026 \u2014 page 6\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p06.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p06.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 6 of 28: Fear Came After by Rodrigo Elias Perez-Segnini (United States); My Family by \u00c7a\u011fr\u0131 Erdo\u011fdu (T\u00fcrkiye); Seven Minutes from Home by Freja Mikkelsen (Denmark); Thirty Seconds of Summer by Emi Kuroda (Japan)\" title=\"WAICF Nominees September 2026 \u2014 page 6\" aria-label=\"WAICF Nominees September 2026 \u2014 page 6\" class=\"lazyload img-responsive wp-image-784\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p06-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p06-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p06-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p06-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p06.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p07.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 7\" title=\"WAICF Nominees September 2026 \u2014 page 7\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p07.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p07.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 7 of 28: Children of the Second Dawn by Marisol de la Cruz (Philippines); The House on Fifth by Addison Steen (United States)\" title=\"WAICF Nominees September 2026 \u2014 page 7\" aria-label=\"WAICF Nominees September 2026 \u2014 page 7\" class=\"lazyload img-responsive wp-image-785\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p07-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p07-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p07-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p07-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p07.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p08.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 8\" title=\"WAICF Nominees September 2026 \u2014 page 8\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p08.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p08.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 8 of 28: Dead Air at 2:17 by Yusuf Rahman (United Kingdom); Night Shift at Europa by Devon Chase (United States); Protocol Vienna by Lukas Gruber (Austria)\" title=\"WAICF Nominees September 2026 \u2014 page 8\" aria-label=\"WAICF Nominees September 2026 \u2014 page 8\" class=\"lazyload img-responsive wp-image-786\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p08-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p08-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p08-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p08-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p08.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p09.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 9\" title=\"WAICF Nominees September 2026 \u2014 page 9\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p09.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p09.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 9 of 28: Mirage District by Layla Al Mansoori (United Arab Emirates); One Step. Two States by Jacek G Nienartowicz (United States)\" title=\"WAICF Nominees September 2026 \u2014 page 9\" aria-label=\"WAICF Nominees September 2026 \u2014 page 9\" class=\"lazyload img-responsive wp-image-787\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p09-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p09-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p09-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p09-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p09.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p10.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 10\" title=\"WAICF Nominees September 2026 \u2014 page 10\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p10.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p10.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 10 of 28: Tale of the Divided Tides - The Beginning by Mattia Simbolotti (Italy); The Legend of Isleria by Devin Ricker (United States)\" title=\"WAICF Nominees September 2026 \u2014 page 10\" aria-label=\"WAICF Nominees September 2026 \u2014 page 10\" class=\"lazyload img-responsive wp-image-788\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p10-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p10-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p10-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p10-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p10.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p11.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 11\" title=\"WAICF Nominees September 2026 \u2014 page 11\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p11.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p11.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 11 of 28: A Room Without Morning by Han Jiwon (South Korea); Celluloid Reverie by Xuyu Zhang, Xinyu Wu (China); Les Heures Invisibles by Camille Durand (France); Northbound by Callum Reed (United Kingdom)\" title=\"WAICF Nominees September 2026 \u2014 page 11\" aria-label=\"WAICF Nominees September 2026 \u2014 page 11\" class=\"lazyload img-responsive wp-image-789\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p11-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p11-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p11-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p11-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p11.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p12.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 12\" title=\"WAICF Nominees September 2026 \u2014 page 12\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p12.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p12.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 12 of 28: Synthetic Sunday by Andrei Petrescu (Romania); The Man Who Rented Tuesday by Lachlan Pierce (Australia); The Museum of Small Disasters by Eleanor Price (United Kingdom)\" title=\"WAICF Nominees September 2026 \u2014 page 12\" aria-label=\"WAICF Nominees September 2026 \u2014 page 12\" class=\"lazyload img-responsive wp-image-790\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p12-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p12-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p12-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p12-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p12.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p13.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 13\" title=\"WAICF Nominees September 2026 \u2014 page 13\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p13.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p13.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 13 of 28: Glass Animal by Priya Nanduri (United States); Orbit House by Sun Haoran (China); The Passenger in Seat 12 by Felix Neumann (Germany)\" title=\"WAICF Nominees September 2026 \u2014 page 13\" aria-label=\"WAICF Nominees September 2026 \u2014 page 13\" class=\"lazyload img-responsive wp-image-791\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p13-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p13-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p13-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p13-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p13.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p14.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 14\" title=\"WAICF Nominees September 2026 \u2014 page 14\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p14.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p14.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 14 of 28: Cracked Chimes by Anthony Jegu (Netherlands); LENS by Eduardo Rodriguez (United States); Night Shift at Europa by Devon Chase (United States); Other me by Aurelie Bertout (France)\" title=\"WAICF Nominees September 2026 \u2014 page 14\" aria-label=\"WAICF Nominees September 2026 \u2014 page 14\" class=\"lazyload img-responsive wp-image-792\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p14-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p14-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p14-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p14-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p14.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p15.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 15\" title=\"WAICF Nominees September 2026 \u2014 page 15\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p15.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p15.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 15 of 28: La Casa de las Voces by Valeria Cruz (Mexico); La \u00faltima habitaci\u00f3n by In\u00e9s Valera (Spain); The Guest Upstairs by Park Taehyun (South Korea)\" title=\"WAICF Nominees September 2026 \u2014 page 15\" aria-label=\"WAICF Nominees September 2026 \u2014 page 15\" class=\"lazyload img-responsive wp-image-793\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p15-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p15-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p15-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p15-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p15.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p16.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 16\" title=\"WAICF Nominees September 2026 \u2014 page 16\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p16.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p16.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 16 of 28: Kitsune.exe by Renji Takeda (Japan); La Macchina dei Sogni by Giulia Ferri (Italy); Moon District 8 by Zhao Yihan (China); The Collector of Shadows by Mathieu Verbeeck (Belgium)\" title=\"WAICF Nominees September 2026 \u2014 page 16\" aria-label=\"WAICF Nominees September 2026 \u2014 page 16\" class=\"lazyload img-responsive wp-image-794\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p16-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p16-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p16-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p16-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p16.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p17.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 17\" title=\"WAICF Nominees September 2026 \u2014 page 17\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p17.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p17.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 17 of 28: Snowfall in June by Sophie Tremblay (Canada); Things We Never Uploaded by Nia Morgan (United Kingdom)\" title=\"WAICF Nominees September 2026 \u2014 page 17\" aria-label=\"WAICF Nominees September 2026 \u2014 page 17\" class=\"lazyload img-responsive wp-image-795\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p17-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p17-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p17-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p17-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p17.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p18.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 18\" title=\"WAICF Nominees September 2026 \u2014 page 18\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p18.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p18.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 18 of 28: Le Dernier Jardin by Th\u00e9o Marchand (France); love again by Zeng Li (China); Plastic Erosion by yifei LI, ZHENG BAO (China); The Quiet Algorithm by Marcus Bell (United States)\" title=\"WAICF Nominees September 2026 \u2014 page 18\" aria-label=\"WAICF Nominees September 2026 \u2014 page 18\" class=\"lazyload img-responsive wp-image-796\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p18-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p18-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p18-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p18-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p18.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p19.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 19\" title=\"WAICF Nominees September 2026 \u2014 page 19\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p19.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p19.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 19 of 28: The City Beneath the City by Daichi Arai (Japan); The Orchard Code by Noah Sinclair (Canada)\" title=\"WAICF Nominees September 2026 \u2014 page 19\" aria-label=\"WAICF Nominees September 2026 \u2014 page 19\" class=\"lazyload img-responsive wp-image-797\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p19-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p19-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p19-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p19-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p19.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p20.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 20\" title=\"WAICF Nominees September 2026 \u2014 page 20\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p20.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p20.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 20 of 28: Ma\u00f1ana Nunca Lleg\u00f3 by Adri\u00e1n Soler (Spain); The River Remembers by Lin Qiao (China); Where Were We? by Cihan Eryilmaz (Spain)\" title=\"WAICF Nominees September 2026 \u2014 page 20\" aria-label=\"WAICF Nominees September 2026 \u2014 page 20\" class=\"lazyload img-responsive wp-image-798\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p20-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p20-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p20-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p20-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p20.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p21.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 21\" title=\"WAICF Nominees September 2026 \u2014 page 21\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p21.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p21.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 21 of 28: M\u00e9moire Z\u00e9ro by Samir Benali (France); Prima dell&#039;Alba by Lorenzo Vitale (Italy)\" title=\"WAICF Nominees September 2026 \u2014 page 21\" aria-label=\"WAICF Nominees September 2026 \u2014 page 21\" class=\"lazyload img-responsive wp-image-799\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p21-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p21-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p21-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p21-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p21.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p22.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 22\" title=\"WAICF Nominees September 2026 \u2014 page 22\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p22.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p22.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 22 of 28: Apr\u00e8s la lumi\u00e8re by \u00c9lo\u00efse Martin (France); Glass Animal by Priya Nanduri (United States); The Northern Room by Henrik Solberg (Norway)\" title=\"WAICF Nominees September 2026 \u2014 page 22\" aria-label=\"WAICF Nominees September 2026 \u2014 page 22\" class=\"lazyload img-responsive wp-image-800\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p22-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p22-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p22-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p22-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p22.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p23.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 23\" title=\"WAICF Nominees September 2026 \u2014 page 23\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p23.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p23.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 23 of 28: Afterimage Protocol by Lena Ortiz (United States); Nullpunkt by Lara Vogt (Germany)\" title=\"WAICF Nominees September 2026 \u2014 page 23\" aria-label=\"WAICF Nominees September 2026 \u2014 page 23\" class=\"lazyload img-responsive wp-image-801\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p23-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p23-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p23-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p23-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p23.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p24.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 24\" title=\"WAICF Nominees September 2026 \u2014 page 24\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p24.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p24.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 24 of 28: Blue Noise by Lee Sora (South Korea); Cidade Fantasma by Caio Mendes (Brazil)\" title=\"WAICF Nominees September 2026 \u2014 page 24\" aria-label=\"WAICF Nominees September 2026 \u2014 page 24\" class=\"lazyload img-responsive wp-image-802\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p24-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p24-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p24-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p24-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p24.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p25.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 25\" title=\"WAICF Nominees September 2026 \u2014 page 25\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p25.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p25.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 25 of 28: The Collector of Shadows by Mathieu Verbeeck (Belgium); The Memory Vendor by Kim Doyun (South Korea)\" title=\"WAICF Nominees September 2026 \u2014 page 25\" aria-label=\"WAICF Nominees September 2026 \u2014 page 25\" class=\"lazyload img-responsive wp-image-803\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p25-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p25-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p25-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p25-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p25.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p26.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 26\" title=\"WAICF Nominees September 2026 \u2014 page 26\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p26.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p26.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 26 of 28: Five Minutes to Midnight by Eli Warren (United States); South of the Celestial Line by Isla Bennett (New Zealand)\" title=\"WAICF Nominees September 2026 \u2014 page 26\" aria-label=\"WAICF Nominees September 2026 \u2014 page 26\" class=\"lazyload img-responsive wp-image-804\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p26-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p26-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p26-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p26-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p26.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p27.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 27\" title=\"WAICF Nominees September 2026 \u2014 page 27\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p27.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p27.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 27 of 28: Cartography of Dust by Jonah Mercer (United States); Synthetic Sunday by Andrei Petrescu (Romania)\" title=\"WAICF Nominees September 2026 \u2014 page 27\" aria-label=\"WAICF Nominees September 2026 \u2014 page 27\" class=\"lazyload img-responsive wp-image-805\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p27-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p27-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p27-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p27-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p27.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p28.jpg\" data-title=\"WAICF Nominees September 2026 \u2014 page 28\" title=\"WAICF Nominees September 2026 \u2014 page 28\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p28.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p28.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Nominees September 2026, page 28 of 28: City of Borrowed Faces by Guo Wenjie (China); Kitsune.exe by Renji Takeda (Japan); Leviathan by Alexandros Evangelos Papaioannou, Andreas Papaioannou (Germany)\" title=\"WAICF Nominees September 2026 \u2014 page 28\" aria-label=\"WAICF Nominees September 2026 \u2014 page 28\" class=\"lazyload img-responsive wp-image-806\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p28-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p28-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p28-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p28-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/09\/WAICF_Nommes_2026-09_p28.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":11,"featured_media":744,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[26],"class_list":["post-776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nominees-2026","tag-nominees-2026"],"yoast_head":"<!-- This site is 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