{"id":952,"date":"2026-10-24T00:09:43","date_gmt":"2026-10-23T22:09:43","guid":{"rendered":"https:\/\/worldaicinema.com\/?p=952"},"modified":"2026-10-24T00:09:44","modified_gmt":"2026-10-23T22:09:44","slug":"finalists-october-2026","status":"publish","type":"post","link":"https:\/\/worldaicinema.com\/en\/finalists-october-2026\/","title":{"rendered":"Finalists October 2026"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-stretch fusion-flex-content-wrap\" style=\"max-width:calc( 1200px + 0px );margin-left: calc(-0px \/ 2 );margin-right: calc(-0px \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_2 1_2 fusion-flex-column fusion-flex-align-self-center\" style=\"--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:0px;--awb-margin-bottom-large:20px;--awb-spacing-left-large:0px;--awb-width-medium:50%;--awb-spacing-right-medium:0px;--awb-spacing-left-medium:0px;--awb-width-small:100%;--awb-spacing-right-small:0px;--awb-spacing-left-small:0px;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;--awb-font-size:34px;\"><h1 class=\"fusion-title-heading title-heading-center\" style=\"margin:0;text-transform:uppercase;font-size:1em;\">Finalists October 2026<\/h1><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_2 1_2 fusion-flex-column fusion-flex-align-self-center\" style=\"--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:0px;--awb-margin-bottom-large:20px;--awb-spacing-left-large:0px;--awb-width-medium:50%;--awb-spacing-right-medium:0px;--awb-spacing-left-medium:0px;--awb-width-small:100%;--awb-spacing-right-small:0px;--awb-spacing-left-small:0px;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element\" style=\"text-align:center;--awb-max-width:450px;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, online edition\" title=\"WAICF Finalists October 2026 \u2014 cover\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p00_couverture.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p00_couverture.jpg\" class=\"lazyload img-responsive wp-image-956\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p00_couverture-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p00_couverture-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p00_couverture-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p00_couverture-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p00_couverture.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 800px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1200px + 0px );margin-left: calc(-0px \/ 2 );margin-right: calc(-0px \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:0px;--awb-margin-bottom-large:20px;--awb-spacing-left-large:0px;--awb-width-medium:100%;--awb-spacing-right-medium:0px;--awb-spacing-left-medium:0px;--awb-width-small:100%;--awb-spacing-right-small:0px;--awb-spacing-left-small:0px;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"awb-gallery-wrapper awb-gallery-wrapper-1 button-span-no\"><div style=\"margin:-10px;--awb-bordersize:0px;\" class=\"fusion-gallery fusion-gallery-container fusion-grid-2 fusion-columns-total-23 fusion-gallery-layout-grid fusion-gallery-1\"><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p01.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 1\" title=\"WAICF Finalists October 2026 \u2014 page 1\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p01.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p01.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 1 of 23: 4% by Hossein Soleimani (Iran); A Hundred Yards at Walking Pace by Owen Pellard (United States); A Map of Unclaimed Benches by Carys Wetherell (United Kingdom); A SINGLE THING by Jaime Max (Spain); A Suitcase for the Trombone by Petra Vran\u00edkov\u00e1 (Czechia)\" title=\"WAICF Finalists October 2026 \u2014 page 1\" aria-label=\"WAICF Finalists October 2026 \u2014 page 1\" class=\"lazyload img-responsive wp-image-957\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p01-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p01-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p01-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p01-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p01.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p02.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 2\" title=\"WAICF Finalists October 2026 \u2014 page 2\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p02.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p02.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 2 of 23: A Tram Stop for the Crickets by Nalin Werasena (Sri Lanka); AI DELLA NONNA by Alessandro Poli (Italy); Aprons for the Jury by Calvin Ruskell (United States); Aura by Emaar by Naveed Rauf (United Arab Emirates); Bellows Register by Lidia Br\u0103descu (Romania)\" title=\"WAICF Finalists October 2026 \u2014 page 2\" aria-label=\"WAICF Finalists October 2026 \u2014 page 2\" class=\"lazyload img-responsive wp-image-958\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p02-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p02-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p02-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p02-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p02.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p03.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 3\" title=\"WAICF Finalists October 2026 \u2014 page 3\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p03.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p03.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 3 of 23: BINDING COVENANTS by Eddie Clay Thompkins III (United Kingdom); Blood is Not Destiny by Ildik\u00f3 Baranyi (Hungary); Borrowed Oars, Paid in Bread by Aino Korpelahti (Finland); Brass Grows in Furrows by Tobias Rennfeld (Germany); Chicken by Liam &amp; Grant (United Kingdom)\" title=\"WAICF Finalists October 2026 \u2014 page 3\" aria-label=\"WAICF Finalists October 2026 \u2014 page 3\" class=\"lazyload img-responsive wp-image-959\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p03-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p03-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p03-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p03-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p03.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p04.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 4\" title=\"WAICF Finalists October 2026 \u2014 page 4\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p04.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p04.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 4 of 23: Christine and Bridget by Geeta Vemuri (United States); Cicadas in the Payroll by Darla Kestwick (United States); Coastline by Talya Lotan (Israel); Coffee with Claude by Kevin Cowan (United States); Counting Roofs at Low Tide by Nandi Masekela (South Africa)\" title=\"WAICF Finalists October 2026 \u2014 page 4\" aria-label=\"WAICF Finalists October 2026 \u2014 page 4\" class=\"lazyload img-responsive wp-image-960\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p04-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p04-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p04-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p04-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p04.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p05.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 5\" title=\"WAICF Finalists October 2026 \u2014 page 5\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p05.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p05.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 5 of 23: DEAD MAN WALKING \u2014 Episode 1 by Ron Hanchinisky (Israel); DEAD MAN WALKING \u2014 Episode 7 by Ron Hanchinisky (Israel); Dead weight by Juanma Liceras (Spain); Die Treppe hat Feierabend by Maren Felsbach (Germany); DOTS by Yubin Lee (South Korea)\" title=\"WAICF Finalists October 2026 \u2014 page 5\" aria-label=\"WAICF Finalists October 2026 \u2014 page 5\" class=\"lazyload img-responsive wp-image-961\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p05-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p05-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p05-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p05-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p05.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p06.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 6\" title=\"WAICF Finalists October 2026 \u2014 page 6\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p06.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p06.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 6 of 23: ECHO by Yassine Temime (Tunisia); ECHO OF THE CLONE by MinYi Huang (China); El jueves de los remolcadores by Esteban Urricelqui (Chile); El manual de las despedidas \u00fatiles by Tom\u00e1s Arbel\u00e1ez Nivia (Colombia); El notario de las cometas by Nuria Valc\u00e1rcel Rius (Spain)\" title=\"WAICF Finalists October 2026 \u2014 page 6\" aria-label=\"WAICF Finalists October 2026 \u2014 page 6\" class=\"lazyload img-responsive wp-image-962\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p06-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p06-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p06-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p06-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p06.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p07.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 7\" title=\"WAICF Finalists October 2026 \u2014 page 7\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p07.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p07.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 7 of 23: Ellie Crush - Ashes to Grace by Alan Espasandin (United States); Fate Comes and Goes by Toh Heong Ng (Singapore); Freight Elevator Etiquette by Tessa Brindell (United States); Ghosted: Brokers Gone Wild by Joseph James Gelet (United States); Glamourexia by John Paul DeFazio (United States)\" title=\"WAICF Finalists October 2026 \u2014 page 7\" aria-label=\"WAICF Finalists October 2026 \u2014 page 7\" class=\"lazyload img-responsive wp-image-963\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p07-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p07-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p07-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p07-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p07.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p08.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 8\" title=\"WAICF Finalists October 2026 \u2014 page 8\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p08.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p08.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 8 of 23: HASH code: THE WRITER by Bela Attila Kovacs (United States); His Baby Girl Is a Magical Beasts Whisperer by Tianyu Wang, Jiaqi Du (United States); HOPE by Wu Jiaxiang, Shi Ge (China); Hope Creek Ranch by Alan Espasandin (United States); Horrorville by Craig J Williams (United States)\" title=\"WAICF Finalists October 2026 \u2014 page 8\" aria-label=\"WAICF Finalists October 2026 \u2014 page 8\" class=\"lazyload img-responsive wp-image-964\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p08-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p08-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p08-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p08-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p08.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p09.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 9\" title=\"WAICF Finalists October 2026 \u2014 page 9\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p09.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p09.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 9 of 23: Human Farm by Melik K\u00fclekci (T\u00fcrkiye); HYAKKI YAGY\u014c | Tower of 100 Demons by James Mitchell (Canada); I Am from the Moon by Li Wan (China); I REMEMBER YOU by Akshay Mehra (India); Il turno delle sedie by Dario Vespoli (Italy)\" title=\"WAICF Finalists October 2026 \u2014 page 9\" aria-label=\"WAICF Finalists October 2026 \u2014 page 9\" class=\"lazyload img-responsive wp-image-965\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p09-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p09-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p09-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p09-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p09.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p10.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 10\" title=\"WAICF Finalists October 2026 \u2014 page 10\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p10.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p10.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 10 of 23: IMPACT by Cortez Mckay (United States); Inventaire des poign\u00e9es by Ma\u00eblle Tr\u00e9van (France); Kaizen by Marie Pierre Dury (France); Kiln Number Forty-Three by Duan Yuelan (China); Kupua, l&#039;Isola Perduta by Riccardo Fara (Italy)\" title=\"WAICF Finalists October 2026 \u2014 page 10\" aria-label=\"WAICF Finalists October 2026 \u2014 page 10\" class=\"lazyload img-responsive wp-image-966\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p10-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p10-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p10-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p10-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p10.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p11.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 11\" title=\"WAICF Finalists October 2026 \u2014 page 11\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p11.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p11.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 11 of 23: La Aduana de los Botones by Yadira Cuenle (Mexico); La Saison des d\u00e9m\u00e9nageurs by \u00c9dith Laverdi\u00e8re (Canada); Las instrucciones del barro by Irene Montalbesa (Argentina); Le Tarif des retrouvailles by Aline Vauzelles (France); Les Coudes sur la nappe by Bastien Rovel (France)\" title=\"WAICF Finalists October 2026 \u2014 page 11\" aria-label=\"WAICF Finalists October 2026 \u2014 page 11\" class=\"lazyload img-responsive wp-image-967\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p11-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p11-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p11-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p11-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p11.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p12.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 12\" title=\"WAICF Finalists October 2026 \u2014 page 12\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p12.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p12.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 12 of 23: Loan Period: Monsoon by Kavya Dandekar (India); Lost in Naples by h2o (China); Mijok - Diffuse Origin by Jonathan Rafael Mendoza (Colombia); Mother&#039;s Little Helpers by Dustin Ross (United States); My War by Elazar Gavriel Avramovits (Israel)\" title=\"WAICF Finalists October 2026 \u2014 page 12\" aria-label=\"WAICF Finalists October 2026 \u2014 page 12\" class=\"lazyload img-responsive wp-image-968\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p12-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p12-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p12-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p12-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p12.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p13.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 13\" title=\"WAICF Finalists October 2026 \u2014 page 13\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p13.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p13.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 13 of 23: NECTAR by Cathal McCarthy (Ireland); Night Cricket by Ahmed Al Hebsi (United Arab Emirates); No Ego by Tarannum Pasricha (India); O Concurso dos Guarda-Chuvas by Celina Mouravaz (Brazil); O Peso das Tangerinas by Beatriz Seixas Lobo (Portugal)\" title=\"WAICF Finalists October 2026 \u2014 page 13\" aria-label=\"WAICF Finalists October 2026 \u2014 page 13\" class=\"lazyload img-responsive wp-image-969\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p13-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p13-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p13-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p13-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p13.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p14.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 14\" title=\"WAICF Finalists October 2026 \u2014 page 14\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p14.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p14.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 14 of 23: One Day on Earth by George Felner (United Kingdom); PEGASUS 2 \u2013 MOSQUITO SQUADRON by Yu Yu, Yan Wang (Macao); Performance Art by Alex Demilo (United States); Plumas by Jason Ragosta, Miriam Kruishoop (United States); Practice for an Empty Pool by Iris Fenwicke (United States)\" title=\"WAICF Finalists October 2026 \u2014 page 14\" aria-label=\"WAICF Finalists October 2026 \u2014 page 14\" class=\"lazyload img-responsive wp-image-970\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p14-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p14-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p14-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p14-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p14.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p15.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 15\" title=\"WAICF Finalists October 2026 \u2014 page 15\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p15.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p15.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 15 of 23: Receipts from the Tundra by Graham Elswick (Canada); Room 4806 by Esther Gronenborn (Germany); Sarmiento, the teacher by Alejo Emiliano Garcia Sosa, Alexander Wittmann (Argentina); Saving the Village by Seoyoon Lee (South Korea); Seam Allowance for Strangers by Jang Minsu (South Korea)\" title=\"WAICF Finalists October 2026 \u2014 page 15\" aria-label=\"WAICF Finalists October 2026 \u2014 page 15\" class=\"lazyload img-responsive wp-image-971\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p15-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p15-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p15-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p15-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p15.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p16.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 16\" title=\"WAICF Finalists October 2026 \u2014 page 16\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p16.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p16.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 16 of 23: Seven Bowls for the Locksmith by Tadashi Numekura (Japan); Sharper Than Blade by Oleksii Pasechnyk (Ukraine); singularity by Frederic Martin (France); Sins of Dorian Gray by Oleksandra Konoplya (Ukraine); Six Months, Falling for Hades by Jeongseop Lim (South Korea)\" title=\"WAICF Finalists October 2026 \u2014 page 16\" aria-label=\"WAICF Finalists October 2026 \u2014 page 16\" class=\"lazyload img-responsive wp-image-972\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p16-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p16-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p16-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p16-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p16.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p17.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 17\" title=\"WAICF Finalists October 2026 \u2014 page 17\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p17.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p17.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 17 of 23: The Aeroplane in the Laundry Basket by Harriet Colswain (Australia); THE AMBASSADOR by Black Forest Dan (Germany); The Apricot Queue by Salma Tazrouti (Morocco); The Bamboo Tollbooth by Luo Xinning (China); The bear and the ewe by Julien Fradet (France)\" title=\"WAICF Finalists October 2026 \u2014 page 17\" aria-label=\"WAICF Finalists October 2026 \u2014 page 17\" class=\"lazyload img-responsive wp-image-973\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p17-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p17-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p17-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p17-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p17.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p18.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 18\" title=\"WAICF Finalists October 2026 \u2014 page 18\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p18.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p18.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 18 of 23: The Bicycle Bell Parliament by Wanjiru Gathendi (Kenya); The Brass Button Committee by Euan Dalbreck (United Kingdom); The Custodian of Gravity by Bennett Orlow (United States); The Flower of Emptiness by Yun Soung Kim (South Korea); The Heron Takes Attendance by Mika Hoshizawa (Japan)\" title=\"WAICF Finalists October 2026 \u2014 page 18\" aria-label=\"WAICF Finalists October 2026 \u2014 page 18\" class=\"lazyload img-responsive wp-image-974\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p18-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p18-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p18-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p18-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p18.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p19.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 19\" title=\"WAICF Finalists October 2026 \u2014 page 19\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p19.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p19.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 19 of 23: The Line Up by Steve Ballantyne, Paul Sterling (Canada); The Mango Crate Orchestra by Amaka Nwobiri (Nigeria); The Model Answer by Chuling Kuo (Canada); The monster by Claire Zamora, Thibaud Zamora, Michael Cao (France); The Perfect Day by Olha Teteria (United States)\" title=\"WAICF Finalists October 2026 \u2014 page 19\" aria-label=\"WAICF Finalists October 2026 \u2014 page 19\" class=\"lazyload img-responsive wp-image-975\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p19-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p19-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p19-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p19-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p19.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p20.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 20\" title=\"WAICF Finalists October 2026 \u2014 page 20\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p20.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p20.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 20 of 23: The Persimmon Bargain by Seo Eunchae (South Korea); The Pomegranate Stairwell by Rana Mazloun (Lebanon); The Prompter by Allan Ripley (France); The Rattan Lift Inspector by Dian Prawelani (Indonesia); The Raw by Gwang Yeol Lee (South Korea)\" title=\"WAICF Finalists October 2026 \u2014 page 20\" aria-label=\"WAICF Finalists October 2026 \u2014 page 20\" class=\"lazyload img-responsive wp-image-976\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p20-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p20-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p20-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p20-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p20.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p21.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 21\" title=\"WAICF Finalists October 2026 \u2014 page 21\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p21.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p21.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 21 of 23: The Spare Key Census by Maren Whitcombe (United States); The Wool Auction Rehearsal by Moana Tairere (New Zealand); Three Hems Before Departure by Derya S\u00f6nmezalp (T\u00fcrkiye); Trees Trees by Sharay Reed (United States)\" title=\"WAICF Finalists October 2026 \u2014 page 21\" aria-label=\"WAICF Finalists October 2026 \u2014 page 21\" class=\"lazyload img-responsive wp-image-977\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p21-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p21-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p21-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p21-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p21.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p22.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 22\" title=\"WAICF Finalists October 2026 \u2014 page 22\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p22.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p22.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 22 of 23: TURAR by Yenlik Shynbatyrova (Kazakhstan, United States); Two Tickets for the Roofer by Malcolm Densett (United States); Under the Bowling Lanes by Ruth Penhalwick (United Kingdom); Update by Jochen Zilch (Germany)\" title=\"WAICF Finalists October 2026 \u2014 page 22\" aria-label=\"WAICF Finalists October 2026 \u2014 page 22\" class=\"lazyload img-responsive wp-image-978\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p22-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p22-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p22-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p22-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p22.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:10px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-2 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p23.jpg\" data-title=\"WAICF Finalists October 2026 \u2014 page 23\" title=\"WAICF Finalists October 2026 \u2014 page 23\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p23.jpg\" data-orig-src=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p23.jpg\" width=\"1200\" height=\"1200\" alt=\"World AI Cinema Festival \u2014 Finalists October 2026, page 23 of 23: VORTEX by Andr\u00e9s Giordano, Fele Gobina (Chile); WHAT A MAMA by Laura Jean Smith (United States); Who Is the Creature? by XiaoBai Bai (China); Zoki \u2013 Between Memory and Dream by Irena Petrovic (France)\" title=\"WAICF Finalists October 2026 \u2014 page 23\" aria-label=\"WAICF Finalists October 2026 \u2014 page 23\" class=\"lazyload img-responsive wp-image-979\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%271200%27%20viewBox%3D%270%200%201200%201200%27%3E%3Crect%20width%3D%271200%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p23-200x200.jpg 200w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p23-400x400.jpg 400w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p23-600x600.jpg 600w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p23-800x800.jpg 800w, https:\/\/worldaicinema.com\/wp-content\/uploads\/sites\/9\/2026\/10\/WAICF_Finalistes_2026-10_p23.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 732px) 595px, (min-width: 640px) 732px, \" \/><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":11,"featured_media":927,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[22],"class_list":["post-952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-finalists-2026","tag-finalists-2026"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Finalists October 2026 - World AI 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